THE SMART TRICK OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928) THAT NO ONE IS DISCUSSING

They are often craving romantics, using this type of variation: Buster appears a plausible mate, as well as the Tramp hardly seems to have a libido, only idealized notions. If their comedies were designed in a far more liberated time, it is achievable to imagine Keaton in bed with a woman, but disquieting to think of the Tramp for a sexual getting.